Back to the martian men!

The Comsat Angels took their name from a JG Ballard story and titled their first EP Red Planet. But anyone expecting science-fiction lyrics about spaceships and supernovas would do well to look in a musical galaxy far, far away; listening to their first demos (aka England Demos), it's the dystopian realist strain of SF that informs the Comsat Angels. That's not radiation on the cover of their first LP,Waiting for a Miracle, it's the blurry cityscape of the band's hometown of Sheffield. And that's not giddy teenage kicks making the photo blurry; it's despondency in the face of existential futility. The band cites another science fiction tale in the song "On the Beach," but it has no need for the novel's post-apocalyptic narrative: the world of the Comsat Angels is already a bleak and hostile wasteland. Not only were the Comsat Angels as grim as any of their peers, they were as great, too. But in the 26 years since Waiting for a Miraclethey've been relegated to obscure cult status, overlooked even by Simon Reynolds. At any rate, the timing may be slightly off again, as the retro-postpunk wave seems to have crested, but the Comsat Angels at their best transcended trends and flew the genre coop, traveling on their heavenly wings straight for greatness and anyway...