Acute memories

The Lines began their existance in the late seventies with two scrappy DIY post-punk singles with a slight whiff of '60s pop influence a la early Soft Boys/Monochrome Set. Later, the renewed line up of the band improved their rhythm section simultaneously tightened up, locking into the grooves with more intensity, and loosened, opening up beyond straight rock beats into funk and R&B undercurrents. At the same time, the guitars started taking on more of a textural, atmospheric disposition. From there, The Lines grew by leaps and bounds. Over the course of the next recordings from late 1980 to '81, they dove into the deep end of of the pool, turning out bewitching tracks awash with funk rhythms, ambient textures, and avant-dub production techniques, sometimes abandoning traditional song form entirely in favor of exotic sonic tableaux. Ultimately, it's the kind of stuff anyone from Tortoise to the Rapture might have claimed as influential... please buy their remastered cd editions full of tracks, sessions and demos!

Butterflies rock

Girls at our best! "...Possibly the finest early eighties band never to have a chart single and they split up before having any real success. They all come from the Leeds Area and the first glimmer was SOS, formed in '77 with guitarist James Alan and bassist Gerard Swift.Tthen taking refuge reality in art school, Alan met Judy. Well, convent schoolgirl from posh Wetherby that she was, she joined the group regardless (what's known as a rash decision) and SOS turned into the Butterflies. Several months after the Butterflies had ceased to exist Rough Trade heard a tape of a song called "Warm Girls", loved it and offered to back its release on the band's (would be) own label, Record Records. Renaming themselves after a line of their lucky song, they became Girls At Our Best!, sold 7,000 and hit the independent charts, then did again with "Politics". Finally they acquired a drummer (absent from the interview) and a deal with Happy Birthday, who are small enough for "Pleasure" to be their first album. IT'S QUITE clear that the most instantly distinctive Girl is the girl, Judy. Her voice soaring above what James describes as the band "oi-ing away" is high, pure - and jolly. Like a Girl Guide singing pop. Girls At our Best! split in 1982 after the joint departure of bassist Terry (Gerard Swift) and drummer Titch (Carl Harper). Their last release was the 'Pleasure' album, which came out in October 1982 [Wrong Fred, 1981], but they've since been remembered by 'Peel Sessions (17.2.81)' which was released on the Strange Fruit label during 1987..." Beautiful people, excellent music.

( Re- Post) This was the modern world

Torino 1981-1983

The Blind Alley were a beat-mod band from Torino, with only one single published by Shirak Records in 1983. They were actvive since years before, close to the new born mod scene of Turin. The central figure of the band was the singer-composer Gigi Restagno, one of the most influencial charachter of the new wave scene in town at the time, later with Defear & other minor projects. The boy who played drums was my classroom friend Marco Ciari- later with Party Kids & Fratelli di Soledad - and still I remember those days when he came to school with the demo tapes of his band, or live recordings that sounded horrible... but it was really fun. Blind Alley were a great live band anyway, with not much of originality but with lot of young energy mixed with taste & style. Also they used to cover "live" great songs like Stiff Little Fingers "Wait and see" and "Safe European Home" by The Clash and they were finally punker than mod-ish when they played on stage. This is my personal homage to this forgotten band of the eighties, a collection of tracks from my vinyls and from the net. As for the Blue Vomit stuff, recently remastered (?!) on cd by SOA Records, I hope that one day my old friend Marco will find the way to realize a retrospective collection of his band... ciao Marco!

Forgotten days

Don't know much about the group i'm going to resume now. They were called "Colour Moves" and I suppose they probably came from the Milan area. They had a rare and mostly unknown seven inch untitked "Trees" distributed by Supporti Fonografici, historical records shop based in Milano, Italy. What I relly know is that their song "Forgotten days" is a real classic and one of the best tracks of every italian wave compilation. I love this song. The atmosphere here goes from synthpop to darkwave and back again, always marked by dark shades & a sense of emotion. Their sound takes place in that band in which are declared the references to Defear with an eye to Death in Venice and Carillon del Dolore and in general to darkwave scene of the ‘80s conjugated with the sounds of synth pop that in that period invaded our frontiers. Don't know exactly if Colour Moves has been in the Italian alternative scene since the middle eighties or earlier but I remember that during those years, thanks to their great demo releases - also on alternative fanzine compilation like "zero zero"_ they became a sort of legend. I really hope that someone will soon or later give us more infos on them!

Where flamingoes flew

GO FLAMINGO! was an Italian new wave band formed in Ferrara, Italy, in autumn 1982, not exactly the place from where you've expected to come from a post punk band. Three songs by GF! were soon included in the 12'' LP "A White Chance" (White Studio Recordings, 1985), released at the same time they won the contest "Indipendenti 84", a compilation produced by Oderso Rubini (Fare Musica Records). After this (un)success, they started increasing their live gigs, since the release of the debut miniLP "Go Flamingo!" (Fare Musica, 1986). Unfortunately, this (un)popularity was destined to decrease in a while. Half mod & half darkwave, they had an original mix of sound, full of energy & passion and a very gifted vocalist too. Though in recent years, the band started performing again occasionally, for the joy of their old (as well as new) nostalgic fans, after their last release on cd "In The Dark" – Anthology 1983/86 (No Tyme Records, 2004), a compilation remastered by Nicola Compagnini, including all the tracks that were released on vinyl and the first demos of the band too. I'm still searching for this damned cd!!!

At the end of an era

I got into the voodoo with Mexican Radio and that was not a rare thing in the eighties. But then my favourite dj Alberto Campo began playing "Can't Make Love" on his radio program called "Evening star" and after hearing that unique and mesmerizing sound beat a couple of times, I went out with my vespa and bought the vinyl from "Rock'n'folk" - the best record shop in my hometown Turin at the time. Wov has been one my favorite band of all time ever since. That was in the fall of 1980, when I was a mod oriented teen with an original musical taste. The only thing that disturbed me was that Wov were no MODS at all... Anyway, I bought the album soon after and was totally stunned. I had never heard anything like it. Song after song I sat just staring into space, dreaming of lost weekends spent travelling thru desert highways, from the san diego valley to the canyons. I've been there some years later and those songs still echoed in my mind. Wall of Voodoo were magic and Richard Mazda was their studio guide, producing some of the best recording of the eighties. Stan and the boys were able to create massive visuals throughtout the songs and the Call of the west album was even better than everything heard before. When Stan left the band I was really shocked. It was simply the end of an era...

Look back in anger

Intelligence Dept was an Italian New Wave band from Ferrara (Italy) who formed in 1982, during one of the most fertile year for the post punk sound in our country. There were lot of synths & programming machines all around Europe at the time but there was also a new sound incoming from the last singular adventures of Robert Smith & Bernard Albrecht. Their influence was terrific here in Italy, more than the Beatles in the sixties, more than the Zeppelin in the eighties... The coldwave movement spreaded his influence from Northern Europe, where maestros like Isolation Ward from Belgium & Siglo XX from France defined a new deeply emotional music. It was not so strange to find these middle-european influences in our provinces also because that particular style was a winning sound in the well known italian discos, the only places where the poor italians boys could eventually go and enjoy some music. Suzanna Zaghi's Intellingence Dept played together for five years with not much of a success but this is a common story... Anyway, they recorded & distribuited by themselves three interesting demo-tapes: "Sleeping City" (1984), "The Big Trouble (1985) & the more mature "Intelligence Dept" (1987), but they never had the possibility to record their own album. Three songs of "Sleeping City" were included in the 12" LP "A White Chance" (1985) & one out of these songs, "Anger Inside", was also contained in a compilation on cassette published by Fare Musica (an Italian quite famous music magazine). It seems that Mannequin records will soon realize a post humous compilation by the band during this year. Wait for it!